Beauty was founded on the harmony of body, not the art. Middle Ages. Clean is ideal. In the Middle Ages cosmetics has been banned omnipotent church, because it disfigured the divine being. The Virgin Mary was represented simply clear the woman, and on Roman statues were was present only for the fact that to keep the baby Jesus in her arms. Lumbar puncture takes a slightly different approach.
White skin symbolizes purity, purity, wealth and idleness. All this is very appreciated in girls of that time. Medieval nymphs usually hidden behind the white garments, the body of the ideal woman should be subject to special laws. A woman should be broad-shouldered, with a small elastic breast, small waist, narrow hips and a rounded belly. Youth and blonde deserves special attention. Renaissance: the return of femininity.
During the reign of Catherine de Medici blush was brought from eastern France. Since then, the beauty of French households have started to use cosmetics for the eyes, eyelashes, began to paint his nails and lips, and enjoy the blush to the cheeks. Courtesans of Venice, known as the most beautiful women, brought into fashion a new ideal of beauty: blond beauty with elegant shape and pale individuals (well-known Venetian blonde). Renaissance: Earth women. During the Renaissance woman's face appears not only in religious issues. Again he idealized. Many elements are not again proportional: too long necks, or a very sloping shoulders. But during the Renaissance, there are real elements. Aristocrats and patrons of the arts, who admired the works of Raphael, just loved rounded Titian's Women's and Ruben.